Swiss architects RAFAA design a green project 'Solar City Tower' for the 2016 summer games in Rio, which is seeking to be the first zero-carbon footprint games. The project under consideration should be located in the bay of the city of Rio de Janeiro on the Cotonduba Island, which is the obligatory approach for aircraft landing and will comprise a vertical structure which will seek to become a symbol for those arriving in Rio, creating an image potent enough to enable Rio to triumph in its bid to host the summer Olympics in 2016. The challenge, therefore, consists of designing an observation tower which will become a symbol welcoming all those who visit Rio de Janeiro, whether they arrive by air or sea.

Concept

The aim of this project is to ask how the classic concept of a landmark can be reconsidered. It is less about an expressive, iconic architectural form; rather, it is a return to content and actual, real challenges for the imminent post-oil-era. This project represents a message of a society facing the future; thus, it is the representation of an inner attitude. Standing in the tradition of "a building/city as a machine", the project shall provide energy both to the city of Rio de Janeiro and its citizens while using natural resources.


After hosting the United Nation's Earth Summit in 1992, Rio de Janeiro will once again be the starting point for a global green movement and for a sustainable development of urban structures. It will perhaps even become a symbol for the first zero carbon footprint Olympic Games.

Approach

The project consists of a solar power plant that by day produces energy for the city respectively the Olympic village. Excessive energy will be pumped as seawater into a tower. By night, the water can be released again; with the help of turbines, it generates electricity for the night. The electricity produced can be used for the lighting of the tower or for the city. On special occasions, this "machine building" turns into an impressive wonder of nature: an urban waterfall, a symbol for the forces of nature. At the same time, it will be the representation of a collective awareness of the city towards its great surrounding landscape. Via an urban plaza located 60 meters over sea level one can gain access to the building. Through the amphitheatre, one can reach the entrance situated on the ground floor.

Organization

Both entrance area and amphitheatre can serve as a place for social gatherings and events. The public spaces are also accessible from this point on. The cafeteria and the shop are situated beneath the waterfall and offer a breathtaking view. The public elevator takes the visitor to the observation decks and the urban balcony. The administration offices can be reached directly from the foyer. Its inner circulation is organized by an own entrance and the elevator. The semi-public spaces are located in the back area of the building; thus, they can be used separately. A retractable platform for bungee jumping is located on level +90.5. Long distance observation can be done from the observation deck on level +98.0. The urban balcony is situated at the top of the tower 105 meters above sea level. Here the visitor has a 360° view of the landscape and can experience the waterfall while walking over the glass skywalk.

7 More London Riverside is the first office building in England to achieve the BREEAM 'Outstanding' accreditation. BREEAM (BRE Environmental Assessment method) is an environmental standard for buildings, which determines best practice in sustainable design and in the UK is used to describe a building's environmental performance.

Located in the south on the bank of River Thames in London, a 10-storeys 7 More London Riverside, is the final and largest building within the More London masterplan. It covers a 13-acre site and houses a City Hall, a hotel, office buildings and extensive landscaped public space, including an open amphitheatre.) developed by More London Development providing a sustainable headquarters for PricewaterhouseCoopers LLP. Grontmij | Roger Preston & Partners was responsible for designing the base, engineering services and systems for the building.

Matthew Thurston, Director at Grontmij | Roger Preston & Partners, said "I am very pleased with the achievements at 7 More London Riverside and feel this recognition will influence developers and designers to highlight the importance of the building's environmental credentials. This has been a fully collaborative effort between us, BDP, Foster + Partners and MACE with the full support of our client More London Development Ltd and PwC, their tenant. The fact that 7 More London has also been awarded an 'A' rating Energy Performance Certificate (EPC) which is the further testament to the sustainable credentials of this development."

Sustainable credentials

Architect	: Foster + Partners
Area	: 535,000 ft2
Site Area	: 80,000 ft2
Capacity	: 4000 Occupants
Client	: More London Developments
Structural Engineers	: Arup
Services	: Roger Preston and Partners
Landscape Architect	: Robert Townshend
Lighting Design	: Speirs and Major Associates
Cost Consultant	: Davis Langdon / Mott Green Wall
Façade Access	: Reef
Main Contractor	: Mace Ltd
Tenant	: PricewaterhouseCoopers

Designed by the architectural firm Foster + Partners, the 60,884m² building incorporates a range of energy saving strategies. In addition to a high-performance façade designed to offer shade and insulation, the building features solar hot water panels, green roofs and fully automated building management and metering systems. The key design aspect that assisted in obtaining the 'Outstanding' rating was the implementation of a Bio-Diesel fired Combined Cooling Heating & Power (CCHP) Trigeneration plant that provides a low carbon source of cooling, heat and power and has resulted in 55% less CO2 emissions than that required under the 2006 Part L2 Building Regulations.

Structural Design and Façade

Visible from all sides, the building does not have an obvious 'front' or 'back', so particular consideration has been given to the façade in assuming a distinctive presence within the masterplan. The zig-zag facades screen the interiors but allow daylight to penetrate into the office floors. A sequence of external louvres animate the glazed facades, capturing and projecting light and colors inside and creating a sparkling effect on the building's outer skin.


To further maximise daylight and views, the building's symmetrical wings open towards the river to reveal the open circular drum at its core. Three curved bridges, at levels 2, 5 and 8, connect the two wings, while the southern elevation drops to 7 storeys to respect the height of the buildings along Tooley Street.

A triple height internal atrium functions as a central plaza for the building's occupiers – a space where the potential for art and the arrangement of lifts and bridges mirrors the external life of More London.

Escalators ascend to a mezzanine level with client meeting rooms and entertaining facilities, while a bank of lifts transport staff directly from ground level to the office floors. Two skylights illuminate the space and provide a focus for the circular landscaped terrace above, which forms one of several roof gardens. As well as a green roof on the lower southern elevation, the building incorporates a rubble roof to simulate a habitat that attracted birds during wartime London, but has since been displaced by modern development.

Mike Jelliffe, partner responsible at Foster + Partners, commented: "We are delighted that 7 More London Riverside has achieved the BREEAM 'Outstanding' rating and I congratulate the full team involved in the project. This is an excellent result - it is testament to the outstanding quality of the design; our highly successful collaboration with Roger Preston & Partners, Arup, MACE, BDP and a wide range of consultants; and the vision and support of More London Development and PricewaterhouseCoopers."

The Kazakh National Library will be the place of storing, organizing, distributing and creating new knowledge of the Kazakh culture. Both archive and museum, the National Library will be a place for work and study, as well as education and tourism. A place for progress and a place for pleasure.

BIG design for Kazakhstan's new national library was recently awarded the first prize in an open international design competition. The winning proposal was chosen by the Prime Minister of Kazakhstan Mr. K. Masimov together with Astana's akim I.Tasmagambetov and a council of architects. The design was hailed as being both modern and rational. Encompassing an estimated 33.000m2 of area the new building designed as a continuous circulation on a Möbius Strip, as the result of 2 interlocking structures: the perfect circle and the public spiral.

The new National Library named after the first President of the Republic of Kazakhstan, Nursultan Nazarbayev, will be one of the cornerstones of Kazakh nation building, and a leading institution representing the Kazakh national identity. It will not only accumulate history but also project new features for the nation and its new capital. The new library will be an intellectual, multifunctional and cultural center with a primary goal of reflecting processes of establishment and development of sovereign Kazakhstan, its political history, popularization of life, and the Head of the State's activities and role in the development of the country.

Design

The design of the National Library combines four universal archetypes across space and time into a new national symbol: the circle, the rotunda, the arch and the yurt are merged into the form of a Mobius strip. The clarity of the circle, the courtyard of the rotunda, the gateway of the arch and the soft silhouette of the yurt are combined to create a new national monument appearing local and universal, contemporary and timeless, unique and archetypal at the same time.


The National Library will be the place where the citizens of Astana, the people of Kazakhstan as well as international visitors can come to explore the country's history and its diverse cultures. The Library will accommodate and communicate with all segments of the population: civil servants, politicians, researchers, students, museum historians and staff from other culture institutions, etc.

The Library is conceived as a symbiosis of urbanity and nature. Like Astana, which is located in the heart of Kazakh mainland, it will be integrated into the heart of a re-created Kazakh landscape. The park around the library is designed like a living library of trees, plants, minerals and rocks allowing visitors to experience a cross section of Kazakhstan's natural landscape and personally experience the capital's transition across the country from Almaty to Astana.

In the library, the archive is organized as a circular loop of knowledge, surrounded by light and air on both sides. On the periphery a 360 degree panorama of Astana - at the heart of the building a contemplative courtyard domed by the heavenly light blue of the celestial vault. The simplicity and perfection of the infinite circle allows for a crystal clear and intuitive orientation in the vast and growing collection that will populate the shelves of the National Library. The ideal addition to the perfect circle will be a series of public programs that simultaneously wraps the library on the outside as well as inside, above as well as below. Twisting the public program into a continuous spiraling path tracing the library on all sides, creates an architectural organization that combines the virtues of all 4 complimenting models. Like a Möbius strip, the public programs move seamlessly from the inside to the outside and from ground to the sky providing spectacular views of the surrounding landscape and growing city skyline.

Möbius Strip

The two interlocking structures: the perfect circle and the public spiral, create a building that transforms from a horizontal organization where library, museum and support functions are placed next to each other, to a vertical organization where they are stacked on top of each other through a diagonal organization combining vertical hierarchy, horizontal connectivity and diagonal view lines. By wrapping the transforming composition of spaces with a continuous skin a Möbius strip volume is created where the facades move from inside to outside and back again. Evoking associations to classic geometry as well as modern mathematics, classical forms such as the rotunda and the arch as well as the traditional yurt, the Möbius shape merges the local and the universal, the tradition and the future.


The program of the National Library of Kazakhstan is resolved through four intertwining systems:

1) An inner circular core containing the Presidential Library's collections of books, magazines and media
The inner circular core containing the Presidential Library's collections are divided into 42 parts corresponding to the number of letters in the Kazakh Cyrillic alphabet. The cylinder's three main decks are, in principle, one integrated space with internal circulation allowing for continuous and intuitive access to all the stored media. Open for any organisation: alphabetical, chronological or decimal the circular library combines maximum flexibility with maximum accessibility.

On all sides, inside and outside, the circular archive intersects with the public programs, reading rooms, study rooms, auditoriums, museum and administration making the library the programmatic as well as spatial heart of the institution.

2) A continuous spiral loop of supporting and additional functions orbiting the circular core
The looping spiral is divided in two separate systems. A continuous trajectory of supporting and additional functions such as auditoriums, reading rooms, research facilities, administrative offices, meeting and small conference rooms, a VIP section and the presidential venue. The intertwining spiral allows double high ceiling auditoriums and conference facilities. The stepping structure of the looping spiral provides optimal conditions for sloping auditoriums and combines continuous clarity with spatial variation.

Project at Glance
Project	: Astana National Library
Architect	: Big
Type	: Educational
Client	: Kazakhstan Presidential Office
Size	: 37.000 M2
Collaborators	: ARUP AGU, Ramboll, PKK
Location	: Astana, Kazakhstan
Status	: Underconstruction
Completion Date	: 2012
Partner-in-Charge	: Bjarke Ingels
Project Leader	: Thomas Christoffersen
Contributors	: Mitesh Dixit, Amy Campbell, Jakob Henke, Johan Cool, Jonas Barre, Daniel Sundlin, Armen Menendian, Pavel Lysikhin, Roza Matveeva, Stanley Lung,

A public path is running off the looping spiral all the way from the bottom to the top of the building circumscribing the cylindrical core inside-out - transforming the void of the double façade system into a continuous atrium visually and spatially connecting all levels. The orbiting structure provides a public pathway with a prominent view of the city and the surrounding park. Visitors can take a tour of the orbiting pathway without physically entering the President's collection or using the additional facilities. A free entrance to the pathway could turn the library atrium and foyer into an outstanding public interior space directly connected to the park area and embankment outside.

3) A protective skin wrapping the whole structure, creating a mediating space between inside and outside
The facade wrapping the entire structure is conceived as a double Möbius strip going from vertical to horizontal and back again. The complex skin is, in fact, a ruled surface structured in a very simple and repetitive way using straight sections and triangulated lattices. Photovoltaic tiles on the façade absorb energy from the sun while also providing passive shading. Additionally, air will naturally ventilate between the inner structure's interior space and the atrium's naturally regulated climatic comfort zone.

4) A concentric park of ecological systems representing the diversity of the Kazakh landscape and the capital's transition from Almaty to Astana
The National Library of cultural artifacts is situated in a geographical and living biological library of Kazakhstan's landscapes. A cross-section of the Kazakh terrain from south to north, connecting Almaty and Astana, forms the setting up of the building. Different vegetation and topographical elements ranging from the Altai Mountain region, Betpak-Dala Desert, and Balkhash Lake in the south, to the Sary-Arka steppes and coniferous forests in the north are distributed around the Library in a radial pattern. Circulation paths are strategically woven throughout to allow for pedestrian access from all edges of the site while also providing every visitor, whether arriving on foot or by car with complete exposure to the landscape's diversity. The downscaled mountainous terrain is integrated into the base of the building creating a natural canyon allowing access underneath the cantilevering façade. A visitor taking a tour of the National Library will not only experience the Presidential collection and get a prominent panorama of the new Capital but will also acquire a sense of the range of the Kazakh landscape, flora and fauna.

Pattern as climate screen

By using state-of-the-art technology and simulation capacity, the thermal exposure on the building envelope is calculated. Due to the warping and twisting geometry, the thermal imprint on the façade is continually varying in intensity. The thermal map ranging from blue to red reveals which zones do and do not need shading. By translating the climatic information into a façade pattern of varying openness a form of ecological ornament created that regulates the solar impact according to thermal requirements. The result is a contemporary interpretation of the traditional patterns and fabrics from the yurt. Both sustainable and beautiful.

Structure

The spiral portion of the library is rectangular in section, made from transverse steel frames 15.5m in height and 14.5m in length. The frames are arranged radially around the spiral, and are linked by longitudinal beams at every corner. Where the cantilevered sections of spiral move past each other, they are linked by another braced frame to provide shear strength, creating a stiff radial slice.


Longitudinal beams span between the radial frames. The steel decking and concrete then form the composite floor slabs. Five concrete cores, spaced evenly around the spiral, provide lateral stability and reduce the length of the cantilevers. The three frames are tied together by a parallelogram-shaped frame. These radial frames are then linked together by diagonal beams to form the diagrid façade.

Façades

The façade shading design can be used to be a part of the artistic expression of the building envelope. Using knowledge of the annual sunpath the façade can be optimised to provide the maximum ambient light while protecting from direct solar radiation. The benefit of this means that the Library is kept in natural light, lighting energy is reduced, glare for occupants is minimised and solar loads are reduced.

Wave roof and glass facade provides an open interaction space for a library building.


A library building with glass façade looking East – For the Rising Sun…
The spacial architectural space represents openness, an unending curiosity, a place for open, free and unhindered interaction and debate. Further the library of an Engineering College should represent the spirit of engineering, display immaculate structural design and motivate engineering students to create unprecedented feats of Engineering and excel.

The Structure

The 65M. X 35M Wave Roof is resolved by a unique combination of 4-trusses and 6-wave girders supported with G.I. V-columns. Each girder is a composite box section made out of steel plates with tensile cables and varying depths as per the wind load and stresses. The unique combination of steel components: such as Wave Girders, Optimized trusses, V-columns resonating the rhythm and metal sheet cladding has resulted in a mass-less effect.

What better way to refresh tired minds and bodies than to energise them with fresh air and light? This idea is the underlying concept of the design solution offered in response to the brief for the creation of a recreational food court building for the employees of IBM at Bangalore.

The Brief

The objective of the brief was to create a building of about 40,000 sqft. to house various multi-cuisine restaurants with requisite seating, cooking areas and auxiliary services. The structure was to be a lightweight and aesthetically designed one, which could be constructed at a fast pace. Energy efficiency and eco-sensitivity were to be considered bearing in mind the responsibility to address these issues.

The Solution

Along the lines of the architectural and engineering requirements that the brief put forward many alternatives were presented. The solution that finally crystallized was in the form of a building with pre-fabricated components in structural steel along with lightweight new-age materials. A circular footprint with polar symmetry was conceived for its superior advantages in terms of industrial standardization. In aesthetic terms this translated as a soft streamlined form speaking a contemporary language – a structure that boldly displays the technology and materials it is created out of.

Structure and Materials

Structural steel and lightweight roofing and façade materials have been put together with innovative joinery to create this technically sound building. The supports, connections and materials are honestly displayed and impart a beautiful modern aesthetic language to the structure.

The prefabricated steel components have been designed and fabricated such that 80% of the total work involved in the construction was carried out at the workshop prior to the commencement of work on site. This meant savings in terms of on-site working time, control on accuracy and finish and optimisation of material and labor. All this directly links to cost efficiency.

The structure consists of 18 peripheral steel columns that support a peripheral ring beam. An internal ring beam that defines the central cut out is supported by 18 pre-stressed cables, which connect to the lowest level. There is no cross-supporting for the roof. Panels of pre-stressed P.V.C. membrane that have been seamed together stretch continuously between the two ring beams with an inward slope forming the roof cover. The roof is strong enough for a person to walk on it for maintenance purposes. The façade does not have typical walls and windows. Instead, P.V.C. mesh membrane panels are stretched like the sails of a ship using cables from the top level to the lower level. This mesh blocks the vision from the outside, but lets the people inside have a view of the outside. Over 70% of the periphery is in mesh and the balance is in glass and steel sheets. These materials are used for enclosing areas that needed privacy or insulation.


The main structure itself supports the floor and roof avoiding the need for a secondary or tertiary structure. The intermediate levels have castellated steel sections with steel chequered plate flooring. The design of the floor optimises the use of material and renders the flooring light, yet strong. The voids in the steel supports are used to pass service lines through.

Environmental impact

The environmental impact of the structure has been continuously considered and the technology, materials, and planning reflect this.

The life span of the steel structure is about 50 years and that of the P.V.C. fabrics is about 30 years. All materials used are completely re-cyclable and the building itself can be dismantled and erected elsewhere. The circular design utilizes hoop stress effectively and minimizes sizes of supporting structural members thus saving on material. The detailed joinery involves minimal on site welding and saves time energy and labor. The super-efficient light materials used ensure that the dead weight of the structure is 20% of that of a regular structure.

The interiors require no daytime artificial lighting due to the translucent roof and mesh membrane facade. At night also the bounced off light minimizes lighting requirement. The need for artificial ventilation is also low due to the permeable mesh and central opening in the roof.

Conclusion

This building is an ingenuously designed structure that stands testimony to the merits of good design using steel and complementary materials. It makes a bold statement displaying beautifully its technology and giving its users a unique physical and aesthetic experience. The architectural and engineering aspects of the design keep in mind time and cost efficiency and also environmental impact. All in all it is a structure of outstanding meritorious features.

Paris based Dietmar Feichtinger Architectes' has erected the new Financial and Commercial Department of Voest Alpine Stahl GmbH in Linz, Austria. This new sale and financial centre and the existing building 'Blue Tower' together form the portal to the site of voestalpine: two mutually complementary structures as a symbolic representation of the complementary units of voestalpine.


The new building and the existing tower are in a dialogue that clearly defines the opposite of the vertical element of the blue tower to the horizontal shape of the new sales and financial center (VFZ). The wide overhang of the head of VFZ symbolizes the industrial ambitious claim of modern innovative and efficient company.


The entrance with gently sloping surface guides staff and visitors into the building with the addition of LEDs to light the way. Glass and steel are predominant offering transparency and strength across the 23,160 sq m built up area. The entrance of the blue tower is also renewed which is facing the new building.

Entrance

The main entrance to the sales and finance office lies, impossible to overlook below a daring cantilever that exploits steel's structural possibilities at the north-eastern end of the building. Here entirely glazed entrance hall focuses the attention of visitors from the steel reception desk on the one side to the impressive landscape of cranes, waste heaps, and chimneys on the other.


From here a panorama lift takes you to the meeting rooms, accessible to a wider public, that are located in this part of the building. In terms of number, size and fittings these rooms respond to the needs of the location Linz as a whole and are augmented by a terrace on the top floor, surrounded by glass walls and open to the sky, which offers exceptional views. All the rooms on the ground floor, which is clearly shaped as a plinth and has a delicately profiled glass façade, are also reserved for "public" functions such as the company's own travel agency, shops, library, documentation.

Structural Design

Transversally the building is divided in 3 zones: the lateral zones of the offices, a central zone serves for meetings, and Inner atriums.

At a Glance
Location	: Austria
Client	: Voest Alpine Stahl gmbH A - 4020 linz
Start of construction	: 08 | 2007
Completion	: 06 | 2009
Architect	: Dietmar Feichtinger Architectes,
Floor area	: Office 17084 m² Livraison 1238 m² Parking 32260 m²
Cost	: 46 400 000 ð HT
Photographer	: Josef Pausch

The offices are on the four upper floors that are encased in a shimmering golden façade. They are laid out in a strictly linear, double-loaded fashion, but the curve of the building visually reduces the apparent length. The offices lie along a wide centre zone in which four glass roofed atria are incised. Beside each atrium there is a circulation and services core of exposed concrete, between them are the "living rooms" of the departments. The offices are separated from these communication areas by glass walls, satin-finished in places, which for the staff required some getting used to, as did the restrained color scheme of the interior: gentle shades of grey are complemented by the light brown of the wooden floors and by strong signal-like colors in the area of the tea kitchens. The relatively narrow subdivision of the façade into full-height opening steel panels and fixed glass elements, also full-height, allows different size offices to be made in accordance with the different requirements. Sliding shade elements of frameless expanded metal on the outside face of the facade and the textile glare protection on the inside ensure agreeable lighting conditions.


Dietmar Feichtinger Architectes display the steel construction – columns and open web beams, as well as the concrete of the ceiling slabs. The building services which run only above the corridors can be made out behind their expanded metal cladding. The discipline that this demanded in both design and execution adds a further level of quiet elegance to the overall impression, something that, unfortunately, one can often look for in vain in many a palatial office block.


In addition, the new centre provides a generous open public space covering a one storey parking deck. The spacious garden creates a designed outdoor area for employees and visitors of the company: a sequence of green fields, wooden decks, paved and planted areas structured by patios.

Materials used

The building is designed as a steel structure: Steel frames distanced by 10m50 carry a concrete slab. The columns are in the centre of the building, the side areas are carried by cantilever beams. This configuration offers a large flexibility for office division. The concrete slabs are kept visible. They provide the mass necessary for thermal comfort. An integrated steel truss allows the free cantilever in the front of the building.

The facade

The façade is largely transparent providing sufficient natural light for the 20m50 wide building. Opaque horizontally sliding openings allow natural ventilation. Shading is assured by motorized steel elements made of a golden coloured steel mesh.

Designed for Al Majan, off Emirates Road, Dubai, The Desert Butterfly is a unique project developed by architectural firm Steelman Partners after having keen observation on the forms and patterns of butterflies.

The project is a unique and luxurious, thirty-seven story, 5-Star hotel; consisting of a single tower with a variety of hotel rooms (single, double, suites, etc.), a grand lobby, a ballroom with separate drop-off, all day dining, feature restaurants, meeting rooms, a pool with gym and spa, a bar / pub, main kitchen, administration offices, hotel back-of-the-house, and three basements of parking for guests, staff, and services.

Design

The design was inspired by the magnificence of a butterfly. The root idea for the lobby ceiling sculpture of The Desert Butterfly developed from observing forms and patterns of several butterfly wings, and cocoons. From that base, the ceiling sculpture steadily matured into its own iconic personality and took flight. A nature-based, intuitive and artistic sense steered the design, with broad strokes creating fluid form. An organic figure developed…the expression of a wing in flight was liberated. How wings glide through the wind and are touched by light had a natural influence on the structures' silhouette.

Location	: Al Majan, off Emirates Road in Dubai
Built up area	: 70,000 SM
Client	: Al Hamad Engineering Company, Dubai
Cost	: $116,000,000 US DOLLARS
Status	: Designed. Construction started then stalled due to the economy and the status of Dubailand
Architect	: Steelman Partners

The lobby offers a transition between experiences, while also creating an independent and memorable occurrence unto itself. The signature element entices further exploration. Guests feel like they are in a place of significance, enticing them to feel tranquil and be imaginative.


The exterior design utilizes a multi– layered skin that includes a glazing system with ceramic frits to reduce and control light and heat penetration. A B. Louvre system provides a secondary shading device. In addition, a C. Ribs holding tertiary system of scales is employed to further filter undesirable environmental factors. Through this multi–layered skin system, the building can adjust and adapt to harsh environmental aspects of site and location. Optimal light levels can also be adjusted and allowed in as desired. The skin system also houses and supports nightly light shows that transform the structure through slow changes in illumination intensity and hues - bringing the casing to life and metamorphosizing before spectators' eyes.

Distinctive Features

Each of the restaurants provides distinctive offerings to the guests. The Italian dining facility is modern, with unexpected details that play off of the art and movement in the interior. The exposed, all-stainless steel chef kitchen magnifies the dynamic space by bringing the dining experience to a more interactive-level. The Steakhouse design is inspired by the Arabian moon-lit sky. Textures and movement reflected in the walls and throughout the ceiling pay homage to the fluid and graceful nighttime atmosphere and ethereal glow of the moon. The Asian restaurant brings the concept of Tokyo and Hong Kong's bright lights and billboard skyline into the space through the dynamic LED ceiling, creating a unique dining style all its' own. The 3 meal dining option offers a melting pot of cultures cradled into a timeless and simple design that captures the effortlessness and harmony envisioned by its clean lines and crisp textures.


The Mediterranean restaurant is designed in white on white with a splash of tan. Moved by the desert tan cliffs and white terrace homes on the Mediterranean coast, the design creates an open and airy nostalgia as it relates to the serene pool deck just outside. Lastly, the black on black nightclub is the cocoon - textured in a metal pattern of the butterfly. The design touches on the contrasting nature of enclosed space within a larger whole through the nesting of the VIP pods and entertainment spaces.

247 Park, a New Age business destination in Mumbai has recently received the prestigious Leadership in Energy and Environmental Design (LEED) Gold Certification for its Green Building design.

Located in the heart of the upcoming IT corridor on LBS Marg, Vikhroli (West) in Mumbai which has become the preferred destination for major corporate houses, the 247 Park® comprises a total of 18 lakh square feet of built-up space stretching over three towers. Designed by Chennai based architectural firm C. R. Narayana Rao and Associates and developed by HCC Real Estate Ltd, a 100% subsidiary of HCC, the 247Park® has become India's largest stand-alone Green Building with the largest combined floor plate of one lac sqft of high end office space.

LEED Gold Certification

The 247Park® has received an occupation certificate from the Municipal Corporation of Greater Mumbai (MCGM) and also recently received LEED Gold certification (Leadership in Energy and Environmental Design) for being a green building adhering to all stipulated efficiency and quality norms incorporated for energy usage, intelligent lighting, water management, indoor environment and materials and resource usage while adopting an innovative design and processes.


The LEED Gold certification has been established by the United States Green Building Council (USGBC) and verified by the Indian Green Building Council (IGBC). The certification, which adopts the most stringent criteria and rigorous evaluation methods, is the world's foremost recognition of environment-friendly constructions. By using less energy and water, LEED certified green buildings save money (for tax-payers and for their families as much as for businesses), reduce greenhouse gas emissions, and contribute to a healthier environs for residents, workers and the larger community living in its vicinity.

On being intimated about the prestigious award, HCC Real Estate Ltd. President Mr Rajgopal Nogja said, "We are pleased to receive the LEED Gold Certification from United States Green Building Council for 247 Park. The HCC Real Estate has pioneered several new standards for environmental conservation in construction in India. Lavasa, free India's first and largest hill city near Pune being developed by HCC Real Estate also has set exemplary standards for efficiency in energy and other resources. This will not only benefit our customers and employees but the standards implemented at 247Park are exemplary for all the business related developments being carried out across the country."

The advanced standards of 247Park optimise comfort and utility thereby making it one of the most environment-friendly buildings in Mumbai and the largest stand-alone commercial complex in India to be awarded this prestigious gold certification. 247Park is equipped to fully recycle all waste materials. "The systems installed will ensure that it will consume 24% less energy as compared to the conventional designs."

Green Designs

The 247 Park building is well connected by road and rail - 1.5 km from Vikhroli and 0.5 km from Kanjurmarg suburban Railway Station and 2 km from the proposed Metro Rail station at Ghatkopar. It is also easily accessible from the domestic airport (12 kms) and international airport (15 km) as well.

The 65 meters tall complex also houses a helipad on its roof top. The exteriors of the building are developed using double glazed fenestration oriented methods with inert gas filling to eliminate sound pollution, minimize heat gain and maximize day-light from the windows to reduce power consumption by up to 25%.

It also uses top-of-the-line Membrane Bio Reactor (MBR) technology for sewage treatment. This technology reduces the frequent maintenance of the plant. The water is recycled, brought to almost potable grade and used for chillers and landscaping. Thus this is the first commercial complex with zero discharge–which means that this complex does not require any drainage system connection from MCGM line for sewage disposal. The treated solid waste is the only disposable material that will be collected by MCGM on regular basis. It also has a storm water management, rain water harvesting and an independent utility building providing the required backup support to the entire complex. Effective separation of dry and wet garbage has been done to facilitate recycling of dry garbage and on-site composting of wet garbage which would be used in the landscaping.


The complex is divided into three towers, with the central tower housing 14 floors of office space and the two adjoining towers housing twelve floors each of office space. The complex has intrusion-free separate access to the office areas with 25 lifts leading right up to the corporate section. In the retail section, there are two floors dedicated to high-end, home store shopping and three levels of covered car parking that accommodates over 1200 cars. The retail section is equipped with escalators, travelators, scenic lifts and separate goods lift for quick and easy movement of goods and customers. Special ramps have been provided to ease the entry and exit for the physically challenged visitors in the corporate office and retail sections.

Tailor-made to the needs of its discerning customers, the 247Park® has also been equipped with a gymnasium, business centre and conference facilities, separate drop– off points for office and retail vehicular and pedestrian traffic, banks and ATMs, high-end restaurants and a 24/7 food court with exclusive terraces. Contemporary surveillance and security measures include round the clock CCTV surveillance in key areas including the car park and common areas. The entire complex has been equipped with state-of-the-art fire detection, alarm and fire fighting systems. The security system is enhanced by a unique car-scanning facility installed at the main entrance which would raise the alarm in case of the presence of explosives and also collect the data such as driver's face, number plate in a flash without having to form large queues of vehicles.

Practise Damilanostudio Architects is named after its founder Duilio Damilano who moved from the Polytechnic of Turin to Milan, in order to attend a workshop by Daniel Libeskind, where he has developed the concept of architectural research directed towards the concreteness of space.

Architect Duilio Damilano has always been fond of architecture since childhood. The passion for volumes comes from his family of sculptors. His father and brother have, in fact, passed on to him an interest for the plastic and material aspect of every sculpture & architecture and he has been attracted by architecture. Architect designs path begin from the study of the light, its affects and properties which moulds the shapes. According to Duilio Damilano, "It is an instinctive vocation – a feeling that starts from deep inside and only at a later time is conveyed inside the channels of rationality. Certainly is something that's always been part of my approach to architecture and which goes into my entire project. I mean the kind of lighting that goes beyond the physical aspect of the luminous element to become an integral part of the architectural design. A project can't peter out with the daylight."

B-House
Location	Cuneo, Piemonte, Italy
Project type	Residential house
Status of the project	Completed
Team project	Diamilanostudio Architects
Architect	Duilio Damilano + Claudia Allinio
Structural Design of the project	Arch. Massimo Aimar
Photographer	Andrea Martiradonna
Surface area	1080 sqm
Surface building	355 sqm
Yea of Completion	2008

After graduating he began his professional career as an Associate and in 1990 he opened the Damilano Studio. Over the years his work has developed, through collaborations with artists and designers, into new architectural paths. Major areas of interest of Damilano Studio are the design of residential buildings, offices and commercial and receptive structures, both in Italy and abroad. Currently, he is working in collaboration with the architects Claudia Allinio, Alberto Pascale, Corrado Tesio and Jessica Pignatta.

Located in Cuneo, Italy, Damilano builds this Italian white house on the hillside to enjoy the landscape of the Piedmont. An open front characterizes B-HOUSE, a refuge without secret where inhabitants are offered views of the landscape from the mountains. The house extends horizontally with a row of premises that end up with the kitchen, real field glasses pointed to the village. In opposite directions, this house develops northwards with the body of the rooms more intimate and intimist and southward with the swimming pool, a wide sheet of water, reflections and light.



The living floor is a spotless space, corrupt by the materiality of a fossil stone wall and by blobs of color of some furniture. The first floor is reserved to landlords and hosts a wide room, the wardrobe box and the bathroom. The roofs are wide terraces, alternatives hanging by relaxation of the garden. In the night come out the depth of volumes and leaks highlighted by luminous cuts and clear/dark contrasts.

Sustainable Features

• Structure in brick-cement
• Installation of floor heating with accumulating and condensing boiler model ATAG (27000 Kg/cal)
• Exterior wall: double course (interior course portion 20 cm, air space 10 cm which is placed on board insulation made with 4 + 4 cm wool glass density 40 kg/m³, exterior course brick thickness 12 cm);
• Production of hot water with solar thermal vacuum tube "termomax"
• Low emissivity glass [k<2] glass 4+4mm, air space 15 mm, glass 4+4 mm
• Dehumidifying Plaster

Building Materials used:

• Exterior floor: Indian grey stone
• Interior floor in the living room white: Taxsos
• Wall paneling in the living room: Forest Brown
• Interior and exterior wood floor: teak

At a Glance
Project	: NCAER
Location	: New Delhi, India
Area	: 132,015 sq.ft
Achitect	: vir.mueller architects

Over fifty years ago, the founders of the National Council of Applied Economic Research (NCAER)established a premier research institution, committed to the cause of national development. The current Governing Body has pledged to renew that commitment, and support India's resurgent economic status in the global arena. The blueprint for the future growth of NCAER is commensurate with its significance as a research institution on the national and international policy stage.

The architecture of the new NCAER campus proposes to mirror this role – in terms of functionality, technology, and aesthetic clarity. A new, state-of-the-art office building flanks a central plaza, establishing a civic presence on the New Delhi skyline. An independent conference centre anchors the entry, enabling multiple usage as a venue for hosting NCAER lectures and forums, as well as public events. The legacy of the existing building is preserved even as its elevation is reinvented; this will serve as the public functions anchor, accommodating the new library, media centre, publications office, cafeteria, and open space offices that can be easily reconfigured. The red sandstone cladding on both buildings will pay tribute to Delhi's heritage as preserved in the Red Fort nearby.

The location of the campus on the banks of the Yamuna River give it an unparalleled vantage point close to the centres of India's executive and parliamentary power, its judiciary, its major national newspapers, and New Delhi's central commercial area of Connaught Place.


The new NCAER campus will be a GRIHA certified 'Green Building' with ecologically conscious design strategies in place. The building orients the open office spaces towards the North and East, thereby optimizing solar performance and urban views. The service zones are located towards the West, acting as thermal buffers. The use of recessed windows with insulated glazing systems provides protection from direct sun and glare.

The entire workspace is naturally daylit; the use of automatic sensors to control lighting helps further maximize energy efficiency. The building envelope, and glazing systems comply with ECBC norms. The renovation of the existing building retains the existing structural system. The use of Solar Photo Voltaics shall generate renewable energy. The landscaping strategy retains existing trees on the site.

At a Glance
Project	: Swarajya Bungalow
Location	: Pune, India
Area	: 335.42 sq.mtr
Achitect	: Sunil Patil & Associates

Sunil Patil and Associates believes that spaces should be interactive. A plan can create interactive spaces, and in residences there are such interactive spaces which bind the families. This sentiment has been manifested in this simple, functional and peaceful home designed for noted criminal lawyer Harshad Nimbalkar and his family in Pune.

Normally, We do not like to go for G+2 floors in a house but restrict it in just Ground + one floor as it has an instant cosiness, a sense of a home, forges interaction between family members and is human in scale. Yet as the plot area was of 335.42 sq mts, it compelled to keep the design a ground plus two storey home as the client required a spacious home for three generations of family members.


It was a typical assignment for an urban client- the plot was small and requirements were significant. The client needed a four bedroom home-a bedroom for the grandparents on the ground floor for easy access, a master bedroom and a bedroom each for their sons, along with formal and informal living spaces including home theatre space and gym spaces; and terraces to enjoy the outdoors. So the design was kept vertical, and with this came the challenges of creating the interactive spaces between three levels, and a feel of a bungalow."


Given the need to design two higher levels, the primary concern was the residence with a built up area of 328.87 sq mts that left a narrow space around the structure, should not appear like a solid heavy uninviting mass. Hence, the terraces were designed not only to cater to their functional need of open air outdoor seating but also to create the interesting cut outs in the solid facade creating excellent compositions of solids and voids. The railing designed with plane glass,added to the purpose.


Formal living room is designed in the heart of the home with a double height that instantly gives it a sense of space and connects it with the spaces around and the floors above. Around this space is an informal living room on a slightly raised platform with wooden flooring set in a niche; the kitchen; dining area; utility and storage areas; and the stairs leading to the basement and floors above. Each of these areas is a part of the whole with minimum walls dividing them.


White walls, grey stone cladding on the wall adjoining the informal living space that complements the grey flooring, white kitchen cabinets with an unusual black dado which is designed unconventionally with aluminum composite panel, large glass doors that lead to the greenery outdoors and bring in light and breeze enhance the sense of space. There are no higher level cabinets in the kitchen. A platform which flows through the end of a wall of the kitchen to the living forms a partition and serves multiple purposes by creating space for keeping cookery and being part of the interiors as well. The kitchen has been designed in a highly contemporary style with the black and white theme.

The first level has the master bedroom, one of their son's room, the home theatre area and a spacious terrace with lovely flowering plants. Both the bedrooms have simple neat furniture in the form of low built-in beds with headboards, and long low units that double up as storage, seating or display spaces, walk-in closet space adjoining the bathrooms for convenience of dressing. The headboard of bed runs the length of the bed curves up and down to morph into a seating space facing a television; yet if relaxing on the bed, the backrest of the seating area does not obstruct the view.

The family-cum-home theatre space, a matrix of grey and white with subdued lighting of spot lights or natural lights adjusted through broad blinds is a peaceful private spot to watch a film or simply relax. Blinds–rather than fabric curtains-give a contemporary look to a space and also offer the option of different light effects as they can be opened or closed as per the requirement. A set of narrow wooden bands run on the wall behind the screen and then cross to form geometrical patterns on the ceiling adding a touch of interest.

The higher level has the other sons room once again with a built-in bed yet with a patterned headboard and a walk-in closet. There is also a spacious recreational space for a gym or indoor games with an adjoining terrace; this space also has a small work surface and cabinet for the client to study cases in the quiet of the night. Different shades of veneer have been used in different rooms to give each one a slightly different look, yet one veneer throughout one room to keep the design simple and easy.

Project Info
Site	: Lonavala, Maharashtra, India
Site Area	: 20,678 Sq M
Project Area	: 6500 Sqm
Phase	: Built
Architects	: NU.DE Architects

The project 'RyeWood International School' explores terrain typologies sited within the confines of the site's geo-topological context. Spread over 5 acres located on the picturesque hill station of Lonavala 622 m above sea level (96 kms from Mumbai City), the project engages with its scenic setting, framing views and releasing spaces into a series of play / read / study / engage activities.

The Program harbours day time school activities as well as cultural activities for the local community.

Within this context an attempt to reconstitute the functions of volume, enclosure and interfacing by means of ribd, voids, decks and varying light-conditions have been made. The vertical fin elements also act as solar shading devices particularly along the southern facade.

The sequencing of spaces withdraws the realm of familiarity and habitual patterns of behaviour that one would normally associate its inhabitants to fall into. Instead the students are confronted with an abstract composition that needs to be discovered and explored in varying degrees of space-time pedagogical related constructs. The sense of adventure, dynamism and the inherent spirit of exploration and discovery amongst children is harboured within the 'playful' and 'dynamic' striated skin of the building.

At a Glance
Project	: Fun Republic, Coimbatore
Client	: E-City Projects, Mumbai
Architect	: Arris Architects

Project Challenge

Architecture should always draw references from its surroundings, and that we believe can be the best way to make the design more 'inclusive' rather than 'intrusive'. Coimbatore, always a flourishing town from South India, is pre-dominantly famous for textile industries. Proximity to Madurai makes it renowned for locally sourced stone. The design team was very deliberate in making material choices for the design decisions closest to the source of origin & inspiration. The opaque masses of the mall are expressed like stone boulders. Crisp massing and expression of bold lines, is the usp of design features for FR Coimbatore. But having said that, the challenges posed by tight site and its irregular depths, also had to be aesthetically addressed.

The mall planning & circulation being of primary importance, an offset entrance was derived, after positioning anchors like shopper stop etc. Since the concept of vanilla shops was ever evolving, a strip of shops was arranged effectively around the anchor & its opposite sides. External entry to the anchor was denied with the intention to have free flowing footfalls in the interiors. The atrium core & vertical transit mediums are arranged around the offset entry, making the skylight highlight of the design elements. Flood of light from the skylight pours in the retail facades making them show off their merchandise against the neutral palate of mall interiors. The contrast thus achieved does not compete with the merchandise instead aids it. The visual connectivity is achieved through simple straight forward lines of sight & circulation. The mall has two cross entries aligned with the anchors, one at ground level and the other at podium level. Thus the two circulation bays are well equipped to receive the desired footfalls.

Solution

The opaque masses of the mall are expressed like stone boulders. Spaced with glass strips this got modified to painted walls due to lack of appropriate funds. Clarity of Expression is an USP for a mall to work well and that is a characteristic feature of all mall designs by Arris. Visual connectivity is achieved through simple straight forward lines of shop fronts and atrium edges. Arris has always been particular with mall economics and hence a detailed study of tenant types and their percentage of shop area were worked out, to achieve best results for the owner and the patrons, both. Their signature entrances, one at ground level and other directly at podium, both catering to anchor tenants, facilitate circulation and adequate footfalls to the mall. To avoid haphazard signanges, a central band inside the mall provides sellable signage space on all three sides.

Result

The functional aspect of the mall is of utmost importance and hence the type of tenant mix, which generates and controls mall economics, is worked out and thus designed for. Then the longetivity and the performance of the mall, in terms of design & logistics, is both a researched outcome.

Fun Cinemas inside Mall

Challenge

Coimbatore was one of the few properties where we had the luxury of having a good sized concession. It surrounded the central atrium of the mall and derives natural light from the same. This meant reduction on load of lighting. There were no difficulties in terms of structure of space in this property, which in fact posed as a challenge as there was no starting point. This was purely designing from scratch.

Solution

Arris Architects main inspiration was the natural light coming from dome on the atrium. They started imagining a landscape set in its natural form. A landscape with sun, clouds & trees and wanted to design something by taking elements from nature. The firm started to co-relate both experiences to each other and started working on the form.

Result:

A central column is depicted as a tree with seating around it, similar traditional Chowthara around it. Tree form also resembles petals of a flower which gives it an ethnic and Indian character. Tree branches extend in the ceiling which divides the ceiling in different plateaus in stark white tone, each as if floating in midair, depicting the idea of clouds. Materials of the central tree are earthy, with browns, bronze & golden shades adding the homely feel to the form. Walls are cladded in ITA Gold stone which depict a terrain character. Leafing pattern on walls done in steel rims and mirror add glitter and life to the space.

Lotus pattern of the tree radiates on the floor as well in form of inlays. Flooring of Kashmir white with black granite inlays. Tree branches come down to form entrance niches for auditoriums.

At a Glance
Project	: Contemporary Villa
Location	: Hyderabad, India
Area	: 40,000 sqft
Achitect	: ZZ Architects

Located in Jubilee hills, one of the premium locations of Hyderabad, this contemporary villa is spread over the area of 40,000 sq. ft. and is an exclusive property designed for a private client. The villa is located at one of the highest points of Jubilee Hills and commands picturesque views of the city beyond. The spectacular villa holds a unique architectural design where luxury meets sophistication in a truly contemporary and dramatic fashion.

This 6-bedroom villa is built over 4 floors and is contemporary in style. Furniture and fittings have been sourced mainly from Europe to ensure a final project truly global and of international standards. Apart from the regular requirements in a villa, this home also has dedicated spaces such as luxurious pool deck, a games room, home spa, multipurpose gym, a lounge bar including a private area for playing cards, state of the art high end home theatre and a landscaped party terrace making this a private haven.

Design Concept

The central theme was to design a lavish home that not only relates to the physical dynamism of the space but also to mental sense of peace. The client desired a space that would reflect his sense of style with meticulous attention to detail and quality of the fit and finish. The home had to create a balance of all the vignettes in his life and assure a bespoke space for him.

The strength of the architectural spaces clearly defines the interior spaces with internal courtyards, decks for bedrooms, the swimming pool with the landscaped deck that overflow the nature into the indoor spaces. At any level externally the connected feel of layered terraces receding in profile give the end user an eloquently special feel while using indoor spaces. Every architectural feature melds in to form one congruous whole while retaining its identity as a work of art.

The central theme of design of interiors was to keep the tones in white yet have a warm feel to the space. There are less objects and spaced out furniture, less contrast and a layering of textures in subtle colours.

Key Design Elements

• The main living has a 25ft high architecturally designed volumetric space that overlooks the private landscaped area. The living space also culminates as a gathering for business friends and to entertain a large number of guests. The demarcation of the layout into different seating zones for practical purposes makes it usable throughout the day. The space is magnified by the light and shadow play from the specially customized large scaled windows along the periphery.
• The infinity pool is enjoyed by all at the master level as it is overlooked from the private lounge and casual seating zones. The swimming deck exudes a youth and warm glow in the soft evening sunset.
• The design of master bedroom evokes calmness and tranquility, and showcases the personality of the end user. The master bedroom is separated from the lounge by a double height courtyard which has a water cascade that gushes through a stone clad wall giving it a sound of natural harmony. The courtyard has a skylight that filters in light into the master spaces.
• The gym and spa are located on the guest floor with a lounge dedicated to the guests. It also has an attached deck and shares the courtyard vertically with the master space.
• When the inhabitants are done enjoying the stunning skyline from the infinity pool, evenings can be whiled away in the home theatre that holds seating for 16 people. The home theatre is planned at the guest level. The meticulously planned home theatre simply takes the movie experience to another level.

Entwined with technology and design, this villa is one of the bespoke design spaces ZZ Architects is proud to have designed.

The project brief entailed the fitting-out and interiors of an auditorium facility for Chettinad Health city, to be used as part of the medical institute. The auditorium facility has been designed to cater to a diverse activities such as stage performances, lectures or seminars, projection of recorded medical information web-casts & broadcasts etc. Conventionally, auditoriums are perceived as simple, monolithic, box-like structures lined with internal acoustic paneling. The design intent was to shift away from the typical morphology in order to create a more visually dynamic space.

At a Glance
Project Name	: Chettinad Health City Auditorium
Location	: Chennai
Size	: 59,400 sq.ft
Design Company	: Morphogenesis

Located in Chennai, a cosmopolitan city which serves as the gateway to South India, the project was exploited to be used as an opportunity to create an interior which would be symbolic of the face of the city. The city is known to have played a significant role in the establishment of South India's historical and cultural expansion and hence the design approach is illustrative of a progressive stance and the project interior exemplifies the same.


To break away from the monotony of an unadorned environment of typical auditoriums, contemporary forms were used as insertions to create continuous surfaces which were conceived to be in the form of lines and planes that extended from the floor, to the wall and wrapped through the ceiling, thus visually connecting the three surfaces. Hence, the entire structure with the ceilings, walls and the floor of the auditorium gives a vision of being one whole surface. One enters the vast expanse of foyer spaces that are broken through geometric patterns. A similar pattern is reflected on the ceiling in multiple layers to endow the space with a sensation of enclosure and to reflect the dynamism similar to that which is shaped by the ceiling of the auditorium. The strong lines of the planes are illuminated by cove lighting and recessed light fixtures ensure that the purity of the forms and materials is accentuated, whilst enhancing visual drama within the space. The auditorium was envisaged using a similar approach, the three-dimensional geometric pattern to run through fabric-mounted, acoustical wall and ceiling panels, eventually creating a Three-dimensional envelope for the auditorium space. Wooden Slots devised as portals, were shaped as insertions within the wall to house HVAC, Lighting, audio-visual equipment and Acoustic services. To augment the randomness of the false ceiling, recesses clad in wood were used to puncture the ceiling. Materiality and palette is restrained, in order to let the continuity of the surfaces be perceived.

At a Glance
Project	: Bombay Art Society
Location	: Mumbai, India
Achitect	: Sanjay Puri Architects

Fluid forms enmeshed together in parts emerging from each other in parts constitute a small building called Bombay Arts Society.

Within an extremely small plot measuring only 1300 sq. mts, a mixed use building programme based on the clients needs had to be adhered to.

Art gallery spaces, an auditorium, a cafeteria and artists rooms had to be planned within 1000 sq.mt and another 1000 sq.mt of office spaces were to be provided for, each with separate entrances.


Fluid spaces across the three lower levels, house the art gallery spaces and their allied functions with walls flowing into roofs homogenously. The fluidity of form seen externally, with a concrete skin encapsulating spaces while undulating in both the horizontal and vertical planes, is carried through to the interior volumes making the entire experience as that of moving through a sculpture.

A separate entrance lobby at the rear corner leads one up vertically into a four level office space that is angled to allow the offices unrestricted views of the ocean in the distance.

The office spaces are encapsulated in a concrete skin punctuated volume with floor to ceiling glass panels in the direction of the sea.

Thus within this small 1300 sq.mt plot two distinct set of spaces are created, each with its own discernible identity and yet enmeshed together to create a uniquely sculptural building.

The Suzlon One Earth campus is a unique corporate headquarter spread over 10 acres of land in Hadapsar, Pune, India. The place was conceived with a business and functional need to bring all business verticals and corporate services under one roof, which although linked to each other would be independent enough to be able to perform as per their respective needs and requirements.

At a Glance
Project	: Suzlon One Earth Global Corporate Headquarters
Location	: Pune, Maharashtra, India
Site area	: 4,53,930 square feet (10.4 acre)
Achitect	: Prof. Christopher Benninger

Suzlon Energy Limited, a world-leading wind energy company based in Pune India, together with the architect, pledged to create the greenest office in India. Living the motto of the company, 'powering a greener tomorrow', the architect relied exclusively on non-toxic and recycled materials. A million S.F. of ground plus two levels in a 10.4 acre urban setting achieved a LEED Platinum and TERI GRIHA 5 Star certification with 8 percent of its annual energy generated on-site through photovoltaic panels and windmills with a total incremental cost of about 11%. There are no other LEED certified buildings with this level of certification and on-site renewable energy that have achieved this kind of cost efficiency. 154 KW of electricity is produced on site (80% wind and 20% photovoltaic). All other energy (4MW) is produced in the client's wind mill farms. With 92% (4 MW) being consumed by the project is 'sustainable energy' making this a Zero Energy Project!

Architecture has played a major role in the iconization of the world's leading companies. I. M. Pei's Bank of China in Hong Kong, Norman Foster's design for the insurance giant Swiss Re in London, have overnight elevated these companies through spectacular architecture. It has become the need of the hour for global corporations to have sensitively designed buildings which reflect their values, concerns for environment and the image of the new age. Indian corporations are imitating the west in the design of their buildings, which are essentially designed with glass and steel structures for the long cold winters. It calls for designing buildings in India with sensitivity towards climate that is both energy efficient and draws vernacular solutions. While building a Green Building complex, was a matter of civic responsibility, the objective of the design was to make a Great Place to Work. This took the shape of a Land Scraper, opposing the idea of a Skyscraper! It is a counter blast to "the glass box."

Suzlon One Earth derives its inspiration from large Indian historical campuses like Fatehpur Sikri and the Meenakshi Temple complex in Madurai. It is the need of the hour that architecture should borrow elements of critical rationalism, with over hangs, louvers, pergolas, courtyards, water and natural light permeation.

Drawing clues from vernacular architecture, while respecting nature and culture, this sustainable and efficient design provides 75% of the work stations with daylight and external views, allowing inhabitants to enjoy seasons, weather conditions and to connect with the time of the day.

The needs of the client were growing and changing almost from week to week during the design process. There was a need to create a transformational system that by its very nature was less specific and more general! So it led to the creation of a simple arrangement of Server Spaces and Served Spaces. The Served Spaces cover the lion's share of the campus where people work. These are in fact flexible and adaptive cold shells that can accommodate modular walls and furniture systems. These are served by more rigid cores that house wet areas, utility shafts, ducts, fire stairs, elevators, entry and reception areas that will not change over time. "Modules" like the silo fire stairs; the benchmark glass cylinders and the 8.4 by 8.4 meter modules that can be used like a Lego Set and moved about in one's mind to create internal and external spaces.

The design process started with a premise of creating a central gathering space, or Brahmasthan, with the sky as its ceiling! It was conceived as a "secret internal garden" that gifts an exclusive and unique feel to the campus. There is visual access to the large central gardens from everywhere. There is a sense of connection between the various kinds of spaces right from the underground entries vide the sunlight that descends there from the Sky Courts and the Glass Cylinders and the vegetation that flows from these elements, up through the cylinders into the main circulation nodes of the building. They act as visual connectors between all floors and allow aeration of the basement parking area.

The Deepa Stambh is set in the centre of the Suzlon reflecting pool. The pool rests at the basement level, wherein all of the cafeteria and the dining room open onto the water. In the background, these see a cascade of water falls, flying down three levels of tiers, with traditional step-like objects giving rhythm to the backdrop. A long water basin feeds the water falls through a pumping system. The lineal basin links the Brahmasthal to a fountain toward the east. These auspicious components protect the campus from unwanted influences and create a central focus and landmark. They bring very Indian features within a very global, high-tech ambiance. Large water body in the central court helps in improving the air quality and for evaporative cooling. All the external landscape areas are brought into the indoors along the perimeter of the building bringing fresh air, nature and natural light into the work areas so as to improve productivity of occupants. This central garden plaza encourages communication, interaction and innovation among the 2300 colleagues and provides a stunning aesthetic presentation for visitors.

In the Wind Lounge, there is a very traditional Indian Chowk here, with kund-like steps leading into a water pool shaded by photovoltaic panels allowing filtered light in, as if through an ancient jaali.

Aluminum louvers act as a protective skin allowing daylight and cross ventilation. All areas have operable fenestration allowing natural air and ventilation when possible. These strategies resulted in lower, thinner and longer building shapes that increase the ratio of fenestration to volume, enhancing natural light and ventilation in a hot and dry climatic conditions.


The building employs a complex building management systems. Lighting of individual offices is controlled by combined daylight and occupancy sensors. Sixty five percent of energy is saved by use of LED outdoor light systems in comparison to conventional scheme. Thirty to 40% reduction in operating cost, due to energy savings and water savings at 30%.

The Goa Institute of Management (GIM) was conceived as a 'state of the art' facility for Management students. The site is a 50 acre contoured plot surrounded by undulating hills and valley views.


The clusters of built forms on the site respond to the organisation in the Masterplan and the lay of the land. The buildings are contemporary structures that are detailed with fenestrations and punctures that frame vistas. The complex was planned along two axes pointing to the cardinal directions at the crossing which is located in the main academic block. The central plaza within this block leads to the Library and cafe in the west, the hostels in the north and the multi-purpose hall in the east. The faculty housing is located to the north of the multi-purpose hall on a hillock.

At a Glance
Project	: Goa Institute of Management
Location	: Goa, India
Achitect	: Somaya and Kalappa Consultants

Differences of levels and changes in textures distinguish spaces, while vertical planes with voids define them. The individual buildings have been designed with cavity walls and deep overhangs to reduce the heat gain and also provide protection during the heavy monsoon. Laterite, the naturally occurring stone in this region and abundant on the site itself, was used extensively as wall fillers, soling and cladding.

The Global Design Studio of Shilpa Architects Planners Designers was awarded the Leadership in Energy and Environmental Design (LEED) Platinum rating for New Construction by the Indian Green Building Council (IGBC). The LEED Platinum certification is an endorsement of SHILPA's design philosophies, and corporate responsibility goals. The eco-friendly office space includes benefits such as lower operating costs and a reduced carbon footprint.

At a Glance
Project	: Global Design Studio
Location	: Chennai, India
Achitect	: Shilpa Architects Planners Desginers

As one of the first Platinum Rated Design Studios in Asia, Shilpa Architects designed its headquarters as a next generation workplace, bringing to life the organization's commitment to reduce power consumption, open and collaborative work settings, natural lighting and geothermal air-conditioning. "Innovation and sustainability are at the core of Shilpa Architects' culture and what our clients and people expect," said Pavitra Sri Prakash, Design Director and Chief Planner at Shilpa Architects. "I am proud of all that we have achieved to make the studio a collaborative and modern work environment, as it stands to symbolize our approach to sustainable design-thinking around the globe."

The building is split into multiple levels of studio space and a level each for client/vendor interaction and a Gallery. Conference rooms and open spaces are designed for initiatives to educate students, the general community and promote art. The staggering of floors gives the office spatial and visual connectivity. Vertical ducts rise in the "green shafts" through which the conditioned air is circulated into the work and interaction spaces. The building is a single volute with the staggered levels directing the circulating air through the entire building, till it is mechanically vented out at the top of the staircase headroom. The efficiency of the Air Conditioning System is enhanced by the heat recovery wheel. Carbon-di-oxide build up is minimized because most of the air is exhausted back to the ambient. Radiant slab and Geo thermal cooling are incorporated in the HVAC System design to reduce power and water consumption. Solar power generation and use of RO treated ground water for Air Conditioning are special features of the building's engineering.


"A green building is one which uses less water, optimizes energy efficiency, conserves natural resources, generates less waste and provides healthier spaces for occupants, as compared to a conventional building." (www.igbc.in/)

The Leadership in Energy and Environmental Design (LEED) Green Building Rating System is a nationally and internationally accepted benchmark for the design, construction and operation of high performance green buildings.

Entrance & Reception Lobby

The entrance to the building is marked by a tribute to a Hindu deity, "Vishvakarma", considered to be the divine ARCHITECT! The sculpture is hand crafted specially by artisans from the Bhavani district of Tamil Nadu. In order to add local artisan touch as well, the modern "Mandap" was crafted in Mahabalipuram.

Continuing with the idea of the "Temple of Design", the grand door is inspired by traditional temple paneled door. With antique brass detailing, the door stands a majestic 12 feet in height and has to be opened by each and every visitor in order to experience the feeling of having entered the space.

Upon entry, one steps into the "Akhand" which is inspired by continuity through the same treatment for the floor, ceiling and walls thereby living up to its Sanskrit meaning - UNBROKEN! Treated with the most basic building block of Architecture, the space is built using country brick bonding technique.


The double height reception connects to the above workspaces both visually and aurally. The reception itself is treated with simple rustic material and one gets the first glimpse of exposed concrete ceilings.

The character-building element that is interpreted throughout the spaces in varying forms, scale and composition, is the company logo inspired trellis detail.

Client interaction spaces

The client interaction areas at the Global design studio have been designed for various types of meetings and discussions.

The conference room is styled like a functional space addressing the need for large format design meetings.

The boardroom is designed as a double height formal space with maximum views and day lighting to provide an outdoor like meeting setting. The extensive use of fabric and eclectic collection of artifacts brings warmth to the space.

The lounge has been designed with natural quartz (agate) and wood accents. With the unique hand crafted light box, this space highlights the usage of fabric in innovative and exciting ways.

The touch and feel library is a unique client interaction area that helps envisage projects along with material samples and mood boards.

Other Workspace and Building Features

• 1st time prototype of pioneering energy & resource efficient AC system
• 6% generation of power from photo-voltaic panels
• 8% lower overall construction cost
• 30% energy & water savings monthly!
• 30% higher levels of indoor air quality to promote workplace productivity
• 95% of office space with natural daylight until sundown
• 100% waste recycling at source.

At a Glance
Project	: HMEL Township
Location	: Bathinda, Punjab, India
Achitect	: Architect Prem Nath & Associates

Concept

The project – HP Mittal Energy Limited (HMEL) township was conceptualized, to be, one of the, most simplistic in design, yet interestingly garnished with green & eco-smart features and topped with lush Landscaped acres. Citizens residing in the complex are from various financial strata and status – yet sharing common utilities like the Club House, Pool, Gym, Amphi -Theaters, Shopping, etc.

A Gated Community living at a Locale far from the city; Secured Living without any fencing, compound wall or any other barrier (physical & physiological) between each house – all homes are simply segregated with Green Hedges.

Planning

Planning concept for the project had been kept simple and practical. From the entry to the end the property is Curvy-linearly divided by the Main road in east-west direction. On the Southern Side, of this road, Individual Villas are planned and on the Northern side the Apartment buildings – enabling a comfortable and homogeneous combination of different strata personnel.

The main road shall act as the 'Back Bone' to the project, wherein all main services, vehicular traffic, pick-up / drop-off points, etc. shall run. This 24 M wide road, is also provided with a parallel service road (on one side) of 8 M width, for Phase-1 area. All other areas are well connected with 8 M wide roads, and 2 M paved service sub-passage on either sides with Green Cover. Along side the main road – at the entrance are the admin building, auditorium and the medical center, while the inner areas have been planned with amphitheater, market place, club, etc.


Two Helipads have been planned at Northern corner of the plot, which is connected to the external village road, for direct entry exit. Future development too has been planned keeping in mind – separate entry requirements during construction – through the side village road. Interesting factor in the township shall be its strategically placed landscape islands interlaced between the villas and apartments.

The entire Master Plan is planned with ample green spaces, and shall be cultivated with mostly local trees and plantations. The green cover in ranges to about 540,000 Sft. of land area, clad with lawns, bushes, shrubs, hedges, and variety of trees, etc. The entire periphery of the land mass has been bordered with couple of variety of Neem trees – these trees shall not only provide visual privacy, but shall also cut-off the noise and air pollution, especially towards the main approach road. The Main Road, has been edged with flowering trees (at the entrance side) like 'Gulmohur' and trees like 'Silver Oak', 'Ashok Pendula', 'Alostonia Scholraris', etc. – these shall again provide a great green ambience. Internal green spaces (larger ones), too, have been studded with these trees. The Ground Cover plantations like 'Golden Duranta' have been used for road dividers, etc., while shrubs like 'Aschilfa Godesfina' and 'Ficasa Panda', shall be laid in and around the villas' and apartments' green spaces. Apart from the above, two types of lawns are planted, i.e. 'Organized Green Lawns' and 'Informal Green Areas'. The Garden spaces between the cluster of buildings are provided with garden furniture, paved jogging track, children play equipments, and other child centric amenities. Lawns, Gardens, walkways have been well lit thru garden bollards and street lights. All Roads and Driveways shall be Paved – while the Main & Internal Roads shall be paved with Paver Blocks, the Drive ways and Parking areas shall be laid with Paver Tiles.

Green Features

Being Awarded GOLD Grading by the MoEF – itself is the Testimony of the Township's Green Excellence. The project was added with a lot of value addition in terms of its eco-friendly features which are listed below:

Rain Water Harvesting: An efficient way of collecting, renewing and reusing an important natural resource like Water; The township has been planned as a 'Zero Depletion' site, with all rain water being collected and recharged back to Mother Earth, thru strategically placed percolation pits; also the extent of the green areas on the site with itself allows all the rainwater into the soil to fill up underground water tables.

Sewage Treatment Plant: All waste is being treated in STP, converting the sewage into reusable water for landscape and makeup water for the HVAC systems of public areas. This system was further be topped with Bio-degradation system for solid waste – which in-turn provides Cooking Gas, for the Club House.

Solar Water Heaters: This is a tried and tested system, being used widely by residential townships – each villas, apartment is having a small installation on the roof-top, which shall suffice the daily Hot Water requirement, with most minimal or zero power consumption, for the same.

Insulated Walls & Ceiling: Use of Fly-Ash-Cement Blocks for external wall construction can enable temperate difference of atleast 4*C to 6*C between exteriors and interiors – the site being in the one of the extreme climatic conditions – the said system helps not only during hot summers, but also during cold winters; Similarly Brick Bat Coba, efficiently laid over the top roof of buildings provides heat insulation from top – this system again adds to the temperate difference.

At a Glance
Project	: Global Education Centre
Location	: Mysore, India
Area	: 337 acre
Achitect	: Ar. Hafeez Contractor

The Infosys' Global Education Centre in Mysore is a vision of grandness brought to life with its sweeping, majestic dome and colonnades in Doric style. The design encompasses the values of this global company, the lifestyle of its users and its context in an ever-evolving campus.

Given its infrastructure and size of operations, Infosys' GEC is the largest corporate education centre in the world. Set on a sprawling 337-acre campus, Infosys' educational and training hub has the capacity to train over 14,000 people at the same time. It is, in essence, an inception centre to thousands of Infosians who hail from all walks of life, diverse nationalities and cultures. The architectural language for the GEC building was derived from an appreciation of classical tradition in architecture and arts. Its classical style is the culmination of the highest refinement of construction and it speaks of stability, longevity and strength – all the qualities that are the institution's core principles.


The imposing structure with lofty domes, tall pillars and spacious interiors brings to mind the grand Mysore palace with its dramatic three-storied stone structure made with fine granite and set amidst meticulously trimmed gardens with a profusion of delicately curved arches, bow-like canopies, magnificent bay windows and columns in varied styles. A large central courtyard formed by the curvilinear building wings marks the approach to the central entrance porch of GEC – II.


In terms of aesthetics the entrance porch is flanked by six Doric columns with a pediment raised by a high plinth. These main columns in the denticular Doric style have been designed and built according to the principle applied in the Doric orders of Vignola. Each column is 56-feet in height and 7-feet in diameter. There are 86 smaller Doric columns along the entire façade set above a solid ground-floor base. A central dome that holds the entire structure together is the most stunning feature of the building. It measures 65-feet in diameter with its pinnacle rising 195 feet above the ground.


The qualitative aspect pronounced by classical forms allows the transition of experiential spaces that is required for this institution. The entrance porch leads to two central spaces; one is circular and the other is an elliptical naturally lit space that gives the structure ample scope to conceal and reveal effects. This two-storey structure is set on a slope and includes two lower-ground areas that are connected to neighbouring blocks. The third-floor houses a library around the elliptical skylight. It measures 40,000 sq ft and is surrounded by terraces overlooking the ground floor lobby. A large, impressive meeting hall beneath the dome accommodates around 40 people and has a separate waiting lobby accessible from the library level. The lower ground-floor includes the concept centre with online classrooms, examination halls and other management and administration rooms surrounding it.

The facility boasts of several classrooms that can accommodate 100 people each and few halls that can hold up to 200 people each. There is a food-court that seats 1,550 people indoors and 250 people outdoors. Its stair court is a triple-height space architecturally treated with columns and arches with cast-iron railings at intervals. All in all, it's a grand concept that encourages visionary thinking brought together by a world-class company.

"The council of Tall Buildings and Urban Habitat (CTBUH) has recently awarded the Steven Holl Architects' Linked Hybrid Complex in Beijing as the 'CTBUH 2009 Best Tall Building Overall' selecting it from among various candidates from regions worldwide.

The CTBUH recognizes one outstanding tall building from each of four geographical regions: Americas, Asia and Australia, Europe, and Middle East and Africa annually. Recipients must possess seamless integration of architectural form, structure, and building systems, as well as exhibit sustainable design qualities working to preserve the quality of urban life and this year the honor goes to Steven Holl Architects' for their superb design of "Linked Hybrid Complex" in Beijing.

Commenting on the project during an award ceremony, CTBUH Awards Committee Chairman Mr. Gordon Gill stated, "This project is very rich in thought, both programmatically and architecturally. It presents an advances typology for dense urban living," whereas CTBUH Executive Director Antony Wood said, "This project 'Linked Hybrid' points the way forward for the intensified multi-use, multi-level connected cities of the future."

Project Description

The 220,000 square-meter Linked Hybrid complex in Beijing, aims to counter the current urban developments in China by creating a twenty-first century porous urban space, inviting and open to the public from every side. A filmic urban experience of space; around, over and through multifaceted spatial layers, as well as the many passages through the project, makes the Linked Hybrid an "open city within a city." The project promotes interactive relations and encourages encounters in the public spaces that vary from commercial, residential, and educational to recreational; a three-dimensional public urban space.

Location	: Beijing, China
Architect	: Steven Holl Architects
Client	: Modern Group
Floor area (square)	: 2383797sf/221462sm
Floor area (square) above	: 1753775sf/162931sm
Floor area (square) below	: 629635sf/58495sm
Building area (square)	: 2368060sf/220000sm
Status	: Completed
Structural Engineer	: Guy Nordenson and Associates: Derek Chan, Erik Nelson, Guy Nordenson, Claire Argow
Associate Structural Engineer	: Capital Engineering and China Academy of Building Research: Xiao Congzhen

The ground level offers a number of open passages for all people (residents and visitors) to walk through. These passages include "micro-urbanisms" of small scale shops which also activate the urban space surrounding the large central reflecting pond. On the intermediate level of the lower buildings, public roof gardens offer tranquil green spaces, and at the top of the eight residential towers private roof gardens are connected to the penthouses.

All public functions on the ground level - including a restaurant, hotel, Montessori school, kindergarten, and cinema - have connections with the green spaces surrounding and penetrating the project. Elevators displace like a "jump cut" to another series of passages on higher levels. From the 18th floor a multi-functional series of skybridges with a swimming pool, a fitness room, a café, a gallery, etc., connects the eight residential towers and the hotel tower, and offers views over the unfolding city. Programmatically, this loop aspires to be semi-lattice-like rather than simplistically linear. Hope the public sky-loop and the base-loop will constantly generate random relationships; functioning as social condensers in a special experience of city life to both residents and visitors.

Focused on the experience of passage of the body through space, the towers are organized to take movement, timing and sequence into consideration. The point of view changes with a slight ramp up, a slow right turn. The encircled towers express a collective aspiration; rather than towers as isolated objects or private islands in an increasingly privatized city, the hope is for new "Z" dimension urban sectors that aspire to individuation in urban living while shaping public space.


Geo-thermal wells [660 at 100 meters deep] provide Linked Hybrid with cooling in summer and heating in winter, and make Linked Hybrid one of the largest green residential projects. The large urban space in the center of the project is activated by a greywater recycling pond with water lilies and grasses in which the cinematheque and the hotel appear to float. During winters the pool freezes to become an ice-skating rink. The cinematheque is not only a gathering venue but also a visual focus to the area. The cinematheque architecture floats on its reflection in the shallow pond, and projections on its facades indicate films playing within. The first floor of the building, with views over the landscape, is left open to the community. The polychrome of Chinese Buddhist architecture inspires a chromatic dimension. The undersides of the bridges and cantilevered portions are colored membranes that glow with projected nightlight and the window jambs have been colored by chance operations based on the 'Book of Changes' with colors found in ancient temples.

Towers

The project is a housing development for 622 apartments and a small hotel in eight interconnected towers. The towers are about 30m by 30m in plan with concrete flat slabs spanning between core and cross concrete shear walls and a perimeter concrete moment frame. The frame is a grid of uniform dimension interspersed with diagonal members. These diagonals occur on an adhoc basis where required for building cantilevers, overhangs and overall stiffness. Taking into consideration the substantial seismic demands of Beijing and the stringent code requirement of torsion, GNA undertook a number of design challenges: the core and cross concrete shear walls were used around the elevator shafts to provide a gravity load path for the long span flat plates and also substantial stiffness and resistance to seismic activity. Each of the seven bridges is isolated from the towers to minimize transfer from the bridge to the building tower.

The weight of the large cantilevers at the upper levels was decreased by using steel and concrete composite framing to cut down the self-weight. Lastly, systematic bracing members were added around the perimeter of the towers to increase torsional rigidity.

Bridges

The goal of the bridge structural design was to maximize transparency and create floating hallways of light, traversing 30 to 40 meters between the heavy concrete towers. In order to span the great distance required and also to achieve the utmost transparency, the bridges utilize a pair of parallel steel trusses (the truss being the most efficient form to resist flexure). A Pratt truss configuration was chosen to use thin tension only diagonal members and, in order to make the truss more elegant, the angle of the diagonals is variel, achieving a truss form with members oriented in such a fashion that the sizes of the diagonals have equal stresses, hence equal sizes. The connections between vertical and horizontal truss members were made rigid to form a complete three-dimensional rigid Vierendeel frame. This provides additional stiffness and redundancy to the bridge structure and allows for the removal of the center panel diagonal members.

Bridge Isolators

The bridges are light and glass enclosed. In order to protect them from the effects of significant tower movement under an extreme seismic event, it was decided to isolate both sides of the bridges. The system selected was a "friction pendulum isolator" which is provided by Earthquake Protection Systems of California. The isolators are shaped with a radius to achieve a described period of vibration that will minimize the shear transfer by reducing the resonance. In an earthquake, the bridges will move up to 40cm relative to the buildings, sparing them, and the buildings, of the effects of lateral forces.

An Australian couple Everinghams dreamt to make a house a decade ago that can allow the user to match the orientation of the home to the daily weather patterns. And today their imagination has taken a shape of reality in the form of Everingham Rotating house that can rotate up to 360 degree if and when desired within a 180 degree retainer wall and a 180 degrees fixed deck and railing. The couple feel that they are on the eleventh clouds as their dream comes true.


The Everinghams have been in a spin since they moved into their dream home in the countryside north of Sydney three years ago. They can turn the house to follow the sun without having to leave the comfort of their armchairs. "When you wake up you do wonder where you'll be facing," said Luke Everingham, a sound-engineer who came up with an idea of a rotating house with his wife, Deb.

Everingham's house is situated approximately 40 kilometres from Wingham NSW, in the hinterland of the Manning Valley on the Nowendoc River, comprising pristine rapids and deep water with mountains rising directly above the river. Built largely of glass and steel and powered by an electric motor "not much bigger than a washing machine motor," the Everingham Rotating House is a brilliant testimonial to the ingenuity of its owner/builders. It encapsulates many aspects of ecologically sound building principles, such as optimizing on natural light and heat, while rotating 360° to take advantage of sunshine and shade at different times of the day and year.

Concept of the project

The rotating house guarantees a different view every time you wake up. The concept for this project is the result of nearly a decade of intermittent research, planning and design, and ten months of construction over a two year period consuming all disposable time. The project was completed in March 2006.

As per the owner and designer of the house Mr. Everingham, "The idea was born when our neighbors were expounding the virtues of their new home and commented that if they could start again they would orientate the house 15 degrees more to the north. To this, Deb his wife said "Wouldn't it be handy to have a house that could move?"


Immediately Mr. Everingham started thinking the features which could lead the house to move. Certainly several points come in his mind as Weight? The average house would weigh approximately 20-30 tons or about 1 ton per square. Weight is not difficult - ancient mechanical and structural engineering, he commented. What about Shape? The conventional rectangular prism would not be suitable, he pointed. After experimenting with scale drawings to investigate octagonal and circular shapes, he was pleasantly surprised as a number of preliminary designs and layouts were created.


Elaborating on his points he said "At this stage we sat on it for many years on the assumption that the cost would be prohibitive. In mid 2002, we decided that our 87-year-old white ant-ravaged farm house was beyond renovation and hence we started looking for new house options. We were somewhat shocked at the cost and how mundane the end result would be compared to our "Everingham Rotating House" design.

In January 2003, research into the cost of the project commenced, and 6 weeks later we came up with an estimation that it would not cost any more to construct than a conventional house of a similar size and level of appointment.

The construction of the house would not have been possible without the assistance of the Coastline Credit Union in Taree. The standard banks did not have the appropriate computer pigeon holes to cater for our particular circumstances. The Credit Union was prepared to consider our application on its own merits. By December 2003 we had organized finance and construction certificates and building commenced!

Design concept

The entire design concept has been firmly based on the following principles:

• The cost must not exceed that of a conventional house of the same size and level of appointment;
• The layout and finish must be highly functional;
• The end result must require very little maintenance;
• The house must be white ant proof;
• The rotating aspect must allow the occupants to maximize exploitation of weather conditions, seasonal conditions and outstanding 360-degree views.

Features of the house

The Everingham rotating house is a 24-metre diameter octagon and this octagonal nature of the house allows for irregular-shaped rooms with a lot more space than most conventional houses. Windows and glass doors constitute a large part of the exterior walls, in order to take advantage of both the views and the warmth of the sun. The wraparound verandah is a 3 meters wide hardwood timber deck.

The entire structure, weighing approximately 50 tons, rotates up to 360-degrees if and when desired, within a 180 degree retainer wall and a 180 degree fixed deck and railing. The house can be set up to follow the sun or to avoid the sun. It can be moved to get out of the wind or to catch the breeze. The house is relatively cheap to build due to the simple design of the electrics and plumbing and the simple nature of the rotation device which controls the rotation by using a touch panel on the wall of the living room which can be pre-programmed or operated manually." Some other features of this house are listed below:

• The exterior walls: vertical corrugated COLORBOND®
• The interior walls: predominantly Gyprock
• The mechanics: 200-ton central bearing, 32 outrigger wheels and two 500-watt electric motors attached to reduction gearboxes and drive-wheels.
• Insulation: CSR Bradford 2.5 Anticon roof insulation, all internal and external walls use the R32 sound screen wall batts and 100ml thick ceiling batts throughout the ceiling.
• Geothermal piping 120 meters long and 2.5 meters deep supplies a constant 22oc to the house through the central core.
• Roofing: COLORBOND®

The house cost about $1900 a square meter to build and can complete a full rotation in about 30 minutes, according to Everinghams. The family is now in the business of exporting the Everingham Rotating House (ERH) around the world. Each ERH can be customized to meet the requirements of each unique application (i.e. Larger or smaller diameter, more or less bedrooms, utilization under house area for storage or garage etc, an internal garage, second story, second story verandah 360 degrees etc). These designs are directed at the domestic and commercial markets. In addition, there are many environmental options available. They have further researched to make this already environmentally friendly house... friendlier.

Everyone desires to make their house a home and do best to make their dream project a reality. An industrial designer Georg Spreng, also the founder of group Frogdesign has spent many years of his life living in Canada, and the experiences he made there were very important to him. In Canada Georg Spreng had lived on an estate which was so large one could loose ones way on it. Living in a house, he experienced that different weather – proved how vulnerable humans are and how strong nature can be. From these experiences, he developed an intense connection to nature. This is why – with his own house - it was important for him to build up a connection to the landscape and to let the house step in to the background. He wishes to bring a sense of the expansive open spaces back to his homeland in Wissgoldingen, Germany also. Spreng's idea was to combine work and living in one building; but he also wanted that each have their own separate areas. If at one side he needs the house to be connected with the landscape then at the other side being a design professional, he is interested in materials combination and how people react to them and handle them.

Project	: Residential House with Jewellery Studio
Location	: Wissgoldingen, Southern Germany, near Stuttgart
Architects	: C18 Architects, Stuttgart
Date of completion	: May 2008
Gross floor area	: 615 m²
Gross volume	: 2.049 m³
Photographer	: Miss Brigida Gonzalez (www.brigidagonzalez.de)
Client	: Georg Spreng

With all these in mind, Spreng approach to the German based architectural firm C18 architects and has a detail dialogue with the architects. The dialogue between the two lead to unusual material combination, to combination which doesn't follow established conventions. Materials should be allowed to speak, be allowed to appeal to sense and feelings. The location Spreng selected is the Swabian Alb, a low mountain range in Baden-Württemberg, Germany, fascinated by breathtaking landscapes, vast views, jagged cliffs and large caves belonging to widely branches out underground system.


After visiting the site of construction, C18 Architects developed a layout which accomplishes well all desired features. Designed by Marcus Kaestle, Andreas Ocker and Michel Roeder of C18 Architects the two level structures contain a house and a Jewellery studio.

Structural Design

Towards the street the building is closed; it attracts attention with its cladding of white square tiles. The buildings cubic shape also distinguishes it from its neighbors. Even if the house is closed towards the street, it doesn't close itself to the neighbors. A tower room with a window facing the street positions the building in the neighborhood. No fence hinders visitors from entering the premises and looking over a wall onto a pond in an open atrium and into the living area. At this point two entrances lay symmetrically to each side. They both have red emergency shutdown buttons as bell buttons. From this standing point one can already notice a considerable lot about this house; the way it entangles inside and outside and that it is a special house.

Two levels lay over one another like two U-shaped brackets. The upper bracket is open towards the street; the lower bracket is open towards the countryside. Through the resulting eyelet one can look down from the entrance area onto a pond in which lays a small island upon which a tree was planted. The tip of this tree can be seen from the upper level from the street. The lower bracket has shorter sides than the upper one so that the upper level projects over the lower level and roofs parts of the outdoor area. The necessary construction for the up to six meters long projections was statically an enormous challenge. To the left of these two brackets a row of rooms and bathrooms joins on. At the end of this the staircase is located over which the crow's nest - already seen from outside - is reached.


All rooms on both levels are open to the southwest, to countryside with hardly any housing. One doesn't only see fields and meadows but also the weather coming along. Open rooms, a room-high glazing with thin profiles, spaces formed by changing floor levels over the whole width of the living area, spaces which lead into the landscape and also continue the landscape in the interior.


Upon entering the house ones first impression is surprising. Large round skylights lighten the area from above and through an even larger round opening in the floor light reaches a lower level. The light flooding through the openings connects both levels with each other. A yellow bench nestles up to the balustrade. One thing is clear: the cliché of the architects or designer house isn't going to be reproduced here. In the entrance area the floor, walls and built-in wardrobes are all white. One opens the wardrobe doors – they have no handles and open upon pressure – to find the inside is painted in a variety of colors. To the left the lower level is reached over a staircase which is blue-painted and the bedrooms lay alongside. Straight on one reaches the studio which can also be reached directly from the outside by the second entrance.

Experiment with Materials

The clients' desire for the best material composition led nowhere not even towards the street - plastered paths or flat terraces; instead there is crude gravel like normally found on the bed of a mountain river. The curtains are made of a silvery shiny material which was developed to cover scaffolding on construction sites. In the living area, the back wall against the ground was constructed by stamping layer over layer of clay. Some of the layers are pigmented lightly so that a picture emerges which resembles a view over the Alb with foggy valleys. Architects have taken full advantages of their client's openness and also use it playfully and tactfully.


The house is an experimenting field. Conventions of living as well as architectural conventions "how things have always been done" were abandoned. But a game wouldn't be a game if it weren't taken seriously. None of the tiles on the facades were cut. The large mirrors which cover the walls on the garden level between living area and atrium are each out of one piece. The wooden floor made out of Canadian birch is high-quality processed. The wall plaster has a high percentage of clay which works - like the stamped clay wall - humidity regulating. The room-high glazing with its extremely thin profiles is the first of its kind with these dimensions. The balustrade around the skylight in the entrance area is rounded in such a way that it feels good to touch but nothing is laid on top. Everything has a reason; is considered and intended, even if one wouldn't have thought of the solution by oneself.


C18 Architects have designed an exceptional house. A house which gives you lust, makes you lust for living and lust for the countryside. And as unconventional as it may be in the neighborhood - it fits in. It is a known fact that it's not easy to pull the wool over the eyes of people from the Alb. Life was too hard to risk relying on somebody else without question.